Well, I'm going back to film.
I've had enough of digital.
We had a good run together.
But it's over.
I'm going back to tried and true film; both medium format and 5×4 or 4×5 depending on where you are.
I've run the tests and I can't see any advantage anymore to digital beside speed and I don't want to be know as a "speedy" photographer. As well, I feel both photographers and the creatives that work with them have become lazy, very lazy. Gone are the days when you might shoot 40 or 50 rolls of 120 in a day. Now it's not uncommon for clients to be looking at thousands of images from a multiple day shoot.
Remember Polaroids? You would shot a couple maybe per set up to show the client and creatives, then they would let you play with it from there; cover that off and then let your own creativity go and paint your own scene. Now they want to see almost every frame you shoot, just so you don't veer too far from "their" original brief. Hold on though, isn't that why we were hired in the first place because we are creatives ourselves and bring something of our own to the table? Has digital given them and us too much information? Are we processing all these visuals and coming up with better ideas on the fly? NO, we're looking at the backs of cameras so we know we have covered off the needed and the client doesn't give us shit. That doesn't really breed creativity in my books. Well now they get to see just the Polaroids with me.
So I've got myself a decent little 5×4 hand holdable camera and a 6×7 medium format and I will be using this from now on. All my digital equipment is going up for sale. I'm covering off most of my usual focal lengths in medium format and just a couple on the larger sheet film. Film is just giving that warmer glow; that internal glow and feeling that digital lacks. It becomes a smoothness, both leading from the transition in tones to the actual grain. The grain on film is long imitated but never replicated. And the tones just act smoother when going from the burnt out highlights to those deep endless black shadows that always prove to be the bane of digital photographers.
Here is a 6×7 image.
As you can see, the tones moving from the highlights, down down down into the deep shadows on the right hold their own. The colour is accurate without being cartoon like. The contrast is pleasing without being so crunchy that you start to block up in the shadows and blow the highlights to the moon. You can feel the texture in the flaking paint on the walls. The skin tone is bang on.
I just don't see the use for digital anymore.
Please feel free to comment.