The second day for Cow Parade wasn’t any better when it came to the weather. A constant stream of precipitation from the sky greeted me in the early morning while packing up the van. In the end, it was only the time we spent trying to get into the Ulster American Folk Park that it didn’t rain.
Our first location was the Folk Park. They didn’t give us a whole lot of time to scout and shoot, so we arrived early hoping to get in a get ahead of ourselves a bit. We didn’t succeed but made our way in with our trusty cart and our full sized Clarice on board. The first set up was the old street scene. I positioned her at camera left, back lit and side lit her with the Profoto Magnum reflector and the 600B pack. I love using the 600B, its great to know you have power and light when you need it, where you need it without worrying about gennies or extension cords and its reliable when used properly (more on that later). We did a few different set ups in a couple of locations at the park but the one below is my favourite from there. A nice hard light to pop the colours on Clarice and bring out all the texture of the cobble stone street. Its just a simple file with only 4 layers in total.
Next up was yesterday’s location at Castlewellan Maze, where we were rained out from. Today was still raining but not the crazy downpour from yesterday. We bagged the Profoto, both the head and the pack to keep them dry. Steve loves the weight and heftiness of the Arri C-stands so he mounted the Profoto on it and dragged it around mounted on a 40″ grip arm and head. This set up gives us lots of flexibility to boom the light up and over subjects and obstacles and is heavy enough in most situations so we don’t need to sand bag it.
We started with a set up looking back towards the park itself; the clouds were a dramatically amazing deep blue and contrasted nicely against the green hedges of the maze. We positioned Clarice and Eunice in what I can only imagine is a common situation at the maze, both trying to look over the hedges at each other. I like the image a lot, it has strong leading lines and great contrast and mood.
I like almost as much as I like the shot below, taken 180 degrees in the opposite direction. The feeling is a little bit more disjointed, separated from each other they are walking in different directions feeling the real thrill of isolation in the maze. We back lit Clarice and gave Eunice a kicker in the behind with the 600B. It was however around this time that we started having sync problems with the strobes. The Pocket Wizard receiver was inside the bag with the 600B unit and the heat of the unit building up must have created condensation which led to the pack not firing every time. After attempting to remedy this and continue on we have to give into the elements and call it a day.
I knew we had it all in the bag but like any photographer with a great scene I just wanted to keep on going. This particular frame has the mountain tops hidden by the clouds but the fields on the hillside are lit by sunlight, a break in the constant clouds that plagued us. This is probably one of my favourite frames from the whole shoot and I love the angry, frustrated expression on Clarice’s face. She’s wants out of there now.
That was it for day two and it was now a damp drive home with three soaked souls and one dry Larry dog.
Day three was to be just a short one. We needed to cover off the Marble Arch Caves in Fermanagh but Sunday was the only day we could do it and 9am was the only time we would get the chance to shoot without the tourists. We took Eunice with us since it would be impossible to get Clarice even through the door leading down to the caves. If you have never been to the caves its pretty interesting and has an extensive history. Eunice found it so interesting that she wanted to go for a boat ride, which is where we took our first photo. We back lit her, had a light on the wall and one on camera left in the water to pull a little definition out of the underground lake bed.
The second shot for the caves was further down into the caves beside a swift moving underground stream. In this photo we had a couple of lights on Eunice but I also dragged the shutter for 30 seconds to burn in some of the available light into the background and the pitch black walls. The long exposure gave a dreamy quality to the water.